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A r V i N d

Jun 22 2006, 01:59 AM

RANGEELA

Directed by Ram Gopal Varma

Music by A.R.Rahman

Cast : Aamir Khan,Urmila Matondkar,Jackie Shroff

MOVIE REVEIW :

After his early, unconventional films received critical acclaim but little in the way of boxoffice support from Hindi-language audiences, Varma set out to prove with Rangeela that he could deliver a lavish Bollywood-style blockbuster. While the film's old fashioned plot -- a love-triangle revolving around characters who have difficulty verbalizing their love for one another -- is about as groundbreaking as an episode of Spin City, Varma's movie succeeds wonderfully on its own terms by boosting its worn-out premise with some well-deserved jabs at the Bollywood film industry while serving up Urmila Matondkar in a star-making role that she devours with her usual enthusiastic aplomb. Add in one of A.R. Rahman's most memorable scores as well as a bevy of stylish song-and-dance numbers, and it's easy to see why Rangeela ranks among the most popular and influential Bollywood musicals of the 90's. Indeed, Subhash Ghai co-opted a number of elements from the film's plot for his 1999 smash hit Taal which, despite an even more superb A.R. Rahman score, replaced the very real emotional power of Varma's film with Ghai's typically hamfisted attempts at melodrama.

Urmilla plays a winsome middle-class girl named Mili, who dreams of stardom while she works as part of a dance troupe in a film starring Bollywood idol Raj Kamal (Jackie Shroff). Munna (Aamir Khan) is a movie-ticket scalper who lives next door to Mili and yearns to take their close friendship to the next level. Brash and sometimes obnoxious, Munna is a "tapori" (a poor child of the streets) who carries a huge chip on his shoulder but is genuinely in love with Mili, only he's too afraid to tell her for fear of rejection. After Kamal becomes mesmerized watching Mili do aerobics on a beach (and believe me, you would too), he has her try out as a replacement for the film's departed female star. Although her audition is a disaster, Mili gets another chance and, after rehearsing her part with Munna, manages to ace the second screen test. Munna plans to propose to Mili, but finds more and more of her time being taken up by the movie business and Kamal, who has his own designs on Mili's heart. Munna tries to impress Mili by treating her to a fancy restaurant, but the ploy backfires when Kamal unexpectedly shows up. As he sees Mili inevitably slipping away from her middle-class trappings, Munna must finally make a choice between winning her back or letting her go.

As if to let the audience know right off the bat that he's not fooling around, Varma opens up Rangeela with the terrific song-and-dance number "Rangeela Re" (which immediately establishes Urmilla as a force to be reckoned with) and never looks back, filling up the movie's rather lean running time (for a Bollywood film, that is) with eight standout song-and-dance numbers (my favorite being "Kya kare Kya Na Kare"), most of which feature a staggering amount of wardrobe and scenery changes. The musical score was A.R. Rahman's first written specifically for a Hindi film, and his deft fusion of Eastern and Western styles blew a titanic hole through the tired old romantic standards that were infesting Bollywood movies at the time. Dancing up a storm throughout, Urmila has never looked better, and if you're not suitably dazzled by her infinite array of nimble and sexy dance moves than you're probably in need of some serious shock treatment.

Ram Gopal Varma's clear-eyed and level-headed approach to storytelling works wonders for Rangeela's overly familiar plot, keeping the film centered somewhere between the frivolous romantic rhapsodies of Subhash Ghai and the achingly serious drama of Mani Ratnam. The movie's tone is light but bittersweet -- one that celebrates the power of love, but is grounded in a realistic enough context to vividly convey the painful downside of romantic longing. Varma's empathy for life's "losers" puts him clearly on the side of the lowly Munna, but he's also graceful enough to show Kamal as a man whose hard-earned wisdom makes him an ideal alternative to Munna's callow impulsiveness. There are no real villains in Rangeela, and though Varma satirizes the eccentricities and egotism of those in the movie industry, he stops far short of making them targets of any real venom. It's to his credit that, as the movie progresses, it becomes less evident to the viewer which of Mili's suitors will end up with her, and, even more impressive, which one she would actually be better off with. Some might complain that the ending is a conventional Hollywood-style feel-good finale, but even here Varma takes a modest approach that runs counter to the melodramatic fireworks one associates with this genre. It's no huge spoiler to say that everybody turns up a winner at story's end, but then again, it's not quite in the way you might expect. For in that one final great shot of Jackie Shroff's character, Varma leaves it up in the air as to who is the biggest winner of all.

Urmila, who has starred in numerous Varma productions since Rangeela (including the 1999 movie Mast, a kind-of flipside to this film), is completely engaging as the ebullient young woman who is so enraptured by the world around her that she fails to notice how the two men in her life share a deep, romantic longing for her. As the headstrong Munna, Aamir Khan veers dangerously close to being an ass, but that soulful look in his eyes gets him off the hook every time. Varma's presentation of Munna as a hot-tempered, lower-class goof is refreshingly free of excessive sentimentality or ridicule, and in Khan he has an actor who can match Urmila's energy level step for step. Ably supporting the duo is Jackie Shroff (Parinda) as the veteran action star whose tragic past makes him as vulnerable to life's heartbreaks as Munna.

[hide]

PART 1 : http://www.megaupload.com/?d=21OJZ8ZL

PART 2 : http://www.megaupload.com/?d=6X7X7UXM

PART 3 : http://www.megaupload.com/?d=V6KHUZIS

PART 4 : http://www.megaupload.com/?d=A6F00YV0

PART 5 : http://www.megaupload.com/?d=Q5ONFRK7

PART 6 : http://www.megaupload.com/?d=28C8V8QQ

PART 7 : http://www.megaupload.com/?d=7D6DY0IZ

PART 8 : http://www.megaupload.com/?d=M82OHG1U

PART 9 : http://www.megaupload.com/?d=EGYJHJ34

PART 10 : http://www.megaupload.com/?d=YVI6B2LT

PART 11 : http://www.megaupload.com/?d=901YAJBM

PART 12 : http://www.megaupload.com/?d=U4853I42

PART 13 : http://www.megaupload.com/?d=4DO5NXOM

PART 14 : http://www.megaupload.com/?d=BVWNWMYS

Code for Open rar file : www.uyirvani.com

[/hide]

shady

Jun 22 2006, 08:38 AM

I'm the first one

Thanks man i really love this movie. Aamir has done an excellent job!!!! A MUST-SEE

vinothbe

Jun 22 2006, 05:19 PM

QUOTE(~~ARVIND~~ @ Jun 22 2006, 06:29 AM) [snapback]446358[/snapback]

RANGEELA

Directed by Ram Gopal Varma

Music by A.R.Rahman

Cast : Aamir Khan,Urmila Matondkar,Jackie Shroff

MOVIE REVEIW :

After his early, unconventional films received critical acclaim but little in the way of boxoffice support from Hindi-language audiences, Varma set out to prove with Rangeela that he could deliver a lavish Bollywood-style blockbuster. While the film's old fashioned plot -- a love-triangle revolving around characters who have difficulty verbalizing their love for one another -- is about as groundbreaking as an episode of Spin City, Varma's movie succeeds wonderfully on its own terms by boosting its worn-out premise with some well-deserved jabs at the Bollywood film industry while serving up Urmila Matondkar in a star-making role that she devours with her usual enthusiastic aplomb. Add in one of A.R. Rahman's most memorable scores as well as a bevy of stylish song-and-dance numbers, and it's easy to see why Rangeela ranks among the most popular and influential Bollywood musicals of the 90's. Indeed, Subhash Ghai co-opted a number of elements from the film's plot for his 1999 smash hit Taal which, despite an even more superb A.R. Rahman score, replaced the very real emotional power of Varma's film with Ghai's typically hamfisted attempts at melodrama.
Urmilla plays a winsome middle-class girl named Mili, who dreams of stardom while she works as part of a dance troupe in a film starring Bollywood idol Raj Kamal (Jackie Shroff). Munna (Aamir Khan) is a movie-ticket scalper who lives next door to Mili and yearns to take their close friendship to the next level. Brash and sometimes obnoxious, Munna is a "tapori" (a poor child of the streets) who carries a huge chip on his shoulder but is genuinely in love with Mili, only he's too afraid to tell her for fear of rejection. After Kamal becomes mesmerized watching Mili do aerobics on a beach (and believe me, you would too), he has her try out as a replacement for the film's departed female star. Although her audition is a disaster, Mili gets another chance and, after rehearsing her part with Munna, manages to ace the second screen test. Munna plans to propose to Mili, but finds more and more of her time being taken up by the movie business and Kamal, who has his own designs on Mili's heart. Munna tries to impress Mili by treating her to a fancy restaurant, but the ploy backfires when Kamal unexpectedly shows up. As he sees Mili inevitably slipping away from her middle-class trappings, Munna must finally make a choice between winning her back or letting her go.
As if to let the audience know right off the bat that he's not fooling around, Varma opens up Rangeela with the terrific song-and-dance number "Rangeela Re" (which immediately establishes Urmilla as a force to be reckoned with) and never looks back, filling up the movie's rather lean running time (for a Bollywood film, that is) with eight standout song-and-dance numbers (my favorite being "Kya kare Kya Na Kare"), most of which feature a staggering amount of wardrobe and scenery changes. The musical score was A.R. Rahman's first written specifically for a Hindi film, and his deft fusion of Eastern and Western styles blew a titanic hole through the tired old romantic standards that were infesting Bollywood movies at the time. Dancing up a storm throughout, Urmila has never looked better, and if you're not suitably dazzled by her infinite array of nimble and sexy dance moves than you're probably in need of some serious shock treatment.
Ram Gopal Varma's clear-eyed and level-headed approach to storytelling works wonders for Rangeela's overly familiar plot, keeping the film centered somewhere between the frivolous romantic rhapsodies of Subhash Ghai and the achingly serious drama of Mani Ratnam. The movie's tone is light but bittersweet -- one that celebrates the power of love, but is grounded in a realistic enough context to vividly convey the painful downside of romantic longing. Varma's empathy for life's "losers" puts him clearly on the side of the lowly Munna, but he's also graceful enough to show Kamal as a man whose hard-earned wisdom makes him an ideal alternative to Munna's callow impulsiveness. There are no real villains in Rangeela, and though Varma satirizes the eccentricities and egotism of those in the movie industry, he stops far short of making them targets of any real venom. It's to his credit that, as the movie progresses, it becomes less evident to the viewer which of Mili's suitors will end up with her, and, even more impressive, which one she would actually be better off with. Some might complain that the ending is a conventional Hollywood-style feel-good finale, but even here Varma takes a modest approach that runs counter to the melodramatic fireworks one associates with this genre. It's no huge spoiler to say that everybody turns up a winner at story's end, but then again, it's not quite in the way you might expect. For in that one final great shot of Jackie Shroff's character, Varma leaves it up in the air as to who is the biggest winner of all.
Urmila, who has starred in numerous Varma productions since Rangeela (including the 1999 movie Mast, a kind-of flipside to this film), is completely engaging as the ebullient young woman who is so enraptured by the world around her that she fails to notice how the two men in her life share a deep, romantic longing for her. As the headstrong Munna, Aamir Khan veers dangerously close to being an ass, but that soulful look in his eyes gets him off the hook every time. Varma's presentation of Munna as a hot-tempered, lower-class goof is refreshingly free of excessive sentimentality or ridicule, and in Khan he has an actor who can match Urmila's energy level step for step. Ably supporting the duo is Jackie Shroff (Parinda) as the veteran action star whose tragic past makes him as vulnerable to life's heartbreaks as Munna.
<{HIDE1}>

thanks

vinu

Jun 22 2006, 06:56 PM

thnak u 4 this movie

unknown

Jun 22 2006, 11:44 PM

thanks

sat_srini

Jun 23 2006, 12:19 AM

Thanks

sat_srini

Jun 23 2006, 12:36 AM

What is the password for the zip file?

rakesh_2004

Jun 23 2006, 01:53 AM

Thanks Arvind for the movie.

dwarak

Jun 23 2006, 06:29 AM

nice movie

ya_radha

Jun 23 2006, 07:06 AM

thanks for the movie

rubini

Jun 23 2006, 04:06 PM

thank you

ranji

Jun 23 2006, 06:01 PM

thanks

kirrbr

Jun 23 2006, 06:11 PM

good movie

sudheergid

Jun 23 2006, 09:26 PM

QUOTE(~~ARVIND~~ @ Jun 22 2006, 01:59 AM) [snapback]446358[/snapback]

RANGEELA

Directed by Ram Gopal Varma

Music by A.R.Rahman

Cast : Aamir Khan,Urmila Matondkar,Jackie Shroff

MOVIE REVEIW :

After his early, unconventional films received critical acclaim but little in the way of boxoffice support from Hindi-language audiences, Varma set out to prove with Rangeela that he could deliver a lavish Bollywood-style blockbuster. While the film's old fashioned plot -- a love-triangle revolving around characters who have difficulty verbalizing their love for one another -- is about as groundbreaking as an episode of Spin City, Varma's movie succeeds wonderfully on its own terms by boosting its worn-out premise with some well-deserved jabs at the Bollywood film industry while serving up Urmila Matondkar in a star-making role that she devours with her usual enthusiastic aplomb. Add in one of A.R. Rahman's most memorable scores as well as a bevy of stylish song-and-dance numbers, and it's easy to see why Rangeela ranks among the most popular and influential Bollywood musicals of the 90's. Indeed, Subhash Ghai co-opted a number of elements from the film's plot for his 1999 smash hit Taal which, despite an even more superb A.R. Rahman score, replaced the very real emotional power of Varma's film with Ghai's typically hamfisted attempts at melodrama.
Urmilla plays a winsome middle-class girl named Mili, who dreams of stardom while she works as part of a dance troupe in a film starring Bollywood idol Raj Kamal (Jackie Shroff). Munna (Aamir Khan) is a movie-ticket scalper who lives next door to Mili and yearns to take their close friendship to the next level. Brash and sometimes obnoxious, Munna is a "tapori" (a poor child of the streets) who carries a huge chip on his shoulder but is genuinely in love with Mili, only he's too afraid to tell her for fear of rejection. After Kamal becomes mesmerized watching Mili do aerobics on a beach (and believe me, you would too), he has her try out as a replacement for the film's departed female star. Although her audition is a disaster, Mili gets another chance and, after rehearsing her part with Munna, manages to ace the second screen test. Munna plans to propose to Mili, but finds more and more of her time being taken up by the movie business and Kamal, who has his own designs on Mili's heart. Munna tries to impress Mili by treating her to a fancy restaurant, but the ploy backfires when Kamal unexpectedly shows up. As he sees Mili inevitably slipping away from her middle-class trappings, Munna must finally make a choice between winning her back or letting her go.
As if to let the audience know right off the bat that he's not fooling around, Varma opens up Rangeela with the terrific song-and-dance number "Rangeela Re" (which immediately establishes Urmilla as a force to be reckoned with) and never looks back, filling up the movie's rather lean running time (for a Bollywood film, that is) with eight standout song-and-dance numbers (my favorite being "Kya kare Kya Na Kare"), most of which feature a staggering amount of wardrobe and scenery changes. The musical score was A.R. Rahman's first written specifically for a Hindi film, and his deft fusion of Eastern and Western styles blew a titanic hole through the tired old romantic standards that were infesting Bollywood movies at the time. Dancing up a storm throughout, Urmila has never looked better, and if you're not suitably dazzled by her infinite array of nimble and sexy dance moves than you're probably in need of some serious shock treatment.
Ram Gopal Varma's clear-eyed and level-headed approach to storytelling works wonders for Rangeela's overly familiar plot, keeping the film centered somewhere between the frivolous romantic rhapsodies of Subhash Ghai and the achingly serious drama of Mani Ratnam. The movie's tone is light but bittersweet -- one that celebrates the power of love, but is grounded in a realistic enough context to vividly convey the painful downside of romantic longing. Varma's empathy for life's "losers" puts him clearly on the side of the lowly Munna, but he's also graceful enough to show Kamal as a man whose hard-earned wisdom makes him an ideal alternative to Munna's callow impulsiveness. There are no real villains in Rangeela, and though Varma satirizes the eccentricities and egotism of those in the movie industry, he stops far short of making them targets of any real venom. It's to his credit that, as the movie progresses, it becomes less evident to the viewer which of Mili's suitors will end up with her, and, even more impressive, which one she would actually be better off with. Some might complain that the ending is a conventional Hollywood-style feel-good finale, but even here Varma takes a modest approach that runs counter to the melodramatic fireworks one associates with this genre. It's no huge spoiler to say that everybody turns up a winner at story's end, but then again, it's not quite in the way you might expect. For in that one final great shot of Jackie Shroff's character, Varma leaves it up in the air as to who is the biggest winner of all.
Urmila, who has starred in numerous Varma productions since Rangeela (including the 1999 movie Mast, a kind-of flipside to this film), is completely engaging as the ebullient young woman who is so enraptured by the world around her that she fails to notice how the two men in her life share a deep, romantic longing for her. As the headstrong Munna, Aamir Khan veers dangerously close to being an ass, but that soulful look in his eyes gets him off the hook every time. Varma's presentation of Munna as a hot-tempered, lower-class goof is refreshingly free of excessive sentimentality or ridicule, and in Khan he has an actor who can match Urmila's energy level step for step. Ably supporting the duo is Jackie Shroff (Parinda) as the veteran action star whose tragic past makes him as vulnerable to life's heartbreaks as Munna.
<{HIDE1}>

thankx

wassupmane

Jun 23 2006, 10:29 PM

Thanx alot man!

srnvshri

Jun 24 2006, 02:44 AM

thanks for the movie!!

shivasings

Jun 24 2006, 03:20 AM

access plzz

abhiiiiiiiiiii

Jun 24 2006, 03:54 AM

pipiip

unknown

Jun 24 2006, 05:07 AM

What is the password for the zip file?

Vinod Jadhav

Jun 24 2006, 06:30 AM

cool..thanks

donpapu

Jun 24 2006, 07:32 PM

thks for the link

gokul2d

Jun 25 2006, 05:46 AM

link plz

johnny

Jun 25 2006, 08:24 AM

QUOTE(~~ARVIND~~ @ Jun 22 2006, 01:59 AM) [snapback]446358[/snapback]

RANGEELA

Directed by Ram Gopal Varma

Music by A.R.Rahman

Cast : Aamir Khan,Urmila Matondkar,Jackie Shroff

MOVIE REVEIW :

After his early, unconventional films received critical acclaim but little in the way of boxoffice support from Hindi-language audiences, Varma set out to prove with Rangeela that he could deliver a lavish Bollywood-style blockbuster. While the film's old fashioned plot -- a love-triangle revolving around characters who have difficulty verbalizing their love for one another -- is about as groundbreaking as an episode of Spin City, Varma's movie succeeds wonderfully on its own terms by boosting its worn-out premise with some well-deserved jabs at the Bollywood film industry while serving up Urmila Matondkar in a star-making role that she devours with her usual enthusiastic aplomb. Add in one of A.R. Rahman's most memorable scores as well as a bevy of stylish song-and-dance numbers, and it's easy to see why Rangeela ranks among the most popular and influential Bollywood musicals of the 90's. Indeed, Subhash Ghai co-opted a number of elements from the film's plot for his 1999 smash hit Taal which, despite an even more superb A.R. Rahman score, replaced the very real emotional power of Varma's film with Ghai's typically hamfisted attempts at melodrama.
Urmilla plays a winsome middle-class girl named Mili, who dreams of stardom while she works as part of a dance troupe in a film starring Bollywood idol Raj Kamal (Jackie Shroff). Munna (Aamir Khan) is a movie-ticket scalper who lives next door to Mili and yearns to take their close friendship to the next level. Brash and sometimes obnoxious, Munna is a "tapori" (a poor child of the streets) who carries a huge chip on his shoulder but is genuinely in love with Mili, only he's too afraid to tell her for fear of rejection. After Kamal becomes mesmerized watching Mili do aerobics on a beach (and believe me, you would too), he has her try out as a replacement for the film's departed female star. Although her audition is a disaster, Mili gets another chance and, after rehearsing her part with Munna, manages to ace the second screen test. Munna plans to propose to Mili, but finds more and more of her time being taken up by the movie business and Kamal, who has his own designs on Mili's heart. Munna tries to impress Mili by treating her to a fancy restaurant, but the ploy backfires when Kamal unexpectedly shows up. As he sees Mili inevitably slipping away from her middle-class trappings, Munna must finally make a choice between winning her back or letting her go.
As if to let the audience know right off the bat that he's not fooling around, Varma opens up Rangeela with the terrific song-and-dance number "Rangeela Re" (which immediately establishes Urmilla as a force to be reckoned with) and never looks back, filling up the movie's rather lean running time (for a Bollywood film, that is) with eight standout song-and-dance numbers (my favorite being "Kya kare Kya Na Kare"), most of which feature a staggering amount of wardrobe and scenery changes. The musical score was A.R. Rahman's first written specifically for a Hindi film, and his deft fusion of Eastern and Western styles blew a titanic hole through the tired old romantic standards that were infesting Bollywood movies at the time. Dancing up a storm throughout, Urmila has never looked better, and if you're not suitably dazzled by her infinite array of nimble and sexy dance moves than you're probably in need of some serious shock treatment.
Ram Gopal Varma's clear-eyed and level-headed approach to storytelling works wonders for Rangeela's overly familiar plot, keeping the film centered somewhere between the frivolous romantic rhapsodies of Subhash Ghai and the achingly serious drama of Mani Ratnam. The movie's tone is light but bittersweet -- one that celebrates the power of love, but is grounded in a realistic enough context to vividly convey the painful downside of romantic longing. Varma's empathy for life's "losers" puts him clearly on the side of the lowly Munna, but he's also graceful enough to show Kamal as a man whose hard-earned wisdom makes him an ideal alternative to Munna's callow impulsiveness. There are no real villains in Rangeela, and though Varma satirizes the eccentricities and egotism of those in the movie industry, he stops far short of making them targets of any real venom. It's to his credit that, as the movie progresses, it becomes less evident to the viewer which of Mili's suitors will end up with her, and, even more impressive, which one she would actually be better off with. Some might complain that the ending is a conventional Hollywood-style feel-good finale, but even here Varma takes a modest approach that runs counter to the melodramatic fireworks one associates with this genre. It's no huge spoiler to say that everybody turns up a winner at story's end, but then again, it's not quite in the way you might expect. For in that one final great shot of Jackie Shroff's character, Varma leaves it up in the air as to who is the biggest winner of all.
Urmila, who has starred in numerous Varma productions since Rangeela (including the 1999 movie Mast, a kind-of flipside to this film), is completely engaging as the ebullient young woman who is so enraptured by the world around her that she fails to notice how the two men in her life share a deep, romantic longing for her. As the headstrong Munna, Aamir Khan veers dangerously close to being an ass, but that soulful look in his eyes gets him off the hook every time. Varma's presentation of Munna as a hot-tempered, lower-class goof is refreshingly free of excessive sentimentality or ridicule, and in Khan he has an actor who can match Urmila's energy level step for step. Ably supporting the duo is Jackie Shroff (Parinda) as the veteran action star whose tragic past makes him as vulnerable to life's heartbreaks as Munna.
<{HIDE1}>

thx for the movieee

Deepika_kolan

Jun 27 2006, 01:42 PM

thx

kumar73

Jun 27 2006, 02:04 PM

thanks

Uthay

Jun 27 2006, 02:14 PM

thanks a lot

shravankumar

Jun 27 2006, 08:09 PM

thanks for the movie

nojuman

Jun 27 2006, 09:01 PM

thx a lot admin

sevy

Jun 27 2006, 10:12 PM

THanks

aasshh

Jun 28 2006, 04:19 AM

fairgame

Jun 28 2006, 06:35 PM

good post

fairgame

Jun 29 2006, 08:02 PM

waste of my time, it didn't work

barath

Jun 30 2006, 02:17 AM

thanks

incorporate1

Jun 30 2006, 08:21 AM

THANKS

avtej

Jun 30 2006, 10:37 AM

ffff

rajsup

Jun 30 2006, 01:15 PM

links

malick

Jun 30 2006, 03:57 PM

good release

Njana

Jun 30 2006, 07:19 PM

thanks

tchennoth

Jun 30 2006, 08:36 PM

Awesome soundtrack! Would love to see the movie just for the music.

amrudamru

Jul 1 2006, 02:46 AM

thnkx

malik007

Jul 2 2006, 11:32 AM

thanx for

qazi atif

Jul 2 2006, 05:19 PM

21121

NaveenMantri123

Jul 2 2006, 09:37 PM

thx

sabooo

Jul 3 2006, 08:44 PM

thanks

KARNIKS

Jul 5 2006, 01:25 AM

thanks for this movie..one of my faourites....

nrama

Jul 5 2006, 11:37 AM

thks

junk junkie

Jul 5 2006, 03:14 PM

thanks..........

Mohammed Renu

Jul 6 2006, 07:31 AM

thanks for movie

gauravjain

Jul 6 2006, 09:56 AM

bcbbbbbbbbbbbb` ` ` `

Deenaj

Jul 6 2006, 04:06 PM

this is one movie..i have missed....thankyou !~

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